With the acceptance of new Marbella Town Planning (PGOU) by the Marbella Town Hall and Junta de Andalucía to legalise some property in the region, it seems the confusion and complexities in the plan are yet to be resolved. Recently, the court has ordered demolition of 24 apartments against the plan.

In a recent judgement, the High Court of Justice of Andalucía (TSJA) has ordered for the demolition of 24 homes in three buildings in the neighbourhood of Los Monteros. As per the new town planning lay out (Plan General de Ordenación Urbana), the construction falls under the newly defined legal ground.

The Andalucía High Court in July 2007 had annulled the license to the proposed building and any further construction summoning irregularities in planning legislation during the time. Subsequently, the court ordered for the demolition, however, the City Council then appealed in the court not to execute the order citing the pending of approval of PGOU.

Although there is a legal complexity in executing the plan, the court in Sevilla considers that simply changing the plan is not enough to annul a previous sentence. The legal bench also quotes that the new PGOU Urban Plan is still not completely effective and awaiting the final approval.

The court now calls on the Town Hall to start demolition drive forthwith, and also get updated on its progress every two weeks. This is also a legal warning to the Town Hall to act on, as the direction is in accord with the right to the owners of the urbanisation who requires the demolition.

Under such circumstances, the Marbella City Council has the option to appeal in the Supreme Court (Tribunal Supremo de España) to bring some respite in terms of seeking time for the general plan to be approved.

Just days ago, the Andalucían High Court in response to an appeal from the Los Monteros Urbanisation and the community owners, rejected a ruling that had suspended a demolition of 150 of 780 square metres of luxurious villa owned by well-known actor Antonio Banderas. The court finds that the land extends to an area that invades the urbanisation plan, albeit the new PGOU approves the villa to be legal.

Note: In July 2009, the Mayor of Marbella Angeles Muñoz had endorsed the final draft of PGOU, which legalized 16,500 units of properties. In addition, a total of 1500 houses were marked as illegal and hence invited demolition while 500 apartments those are presently inhabited are now under court’s consideration.

Born as José Antonio Domínguez Banderas on August 10, 1960, he is one of the eminent Spanish faces known for his acting skills in many native and Hollywood movies. Leaving his soccer dream behind following a foot injury at the age of 14, Antonio joined drama classes at the School of Dramatic Art in Malaga which eventually brought him to the fore of theatre and drama.

Antonio got the opportunity to join the National Theatre of Spain after taking part as an amateur artist with a small theatre troupe that toured all over Spain. While performing with the theatre, director Pedro Almodóvar spotted and cast him in a series of movies which include the 1982 “Laberinto de Pasione” (Labyrinth of Passion) and the “La Ley del Deseo” (Law of Desire) in 1984.

After delivering some outstanding performances in Spanish films like “Matador” (1986), “Mujeres al borde de un ataque de nervios” (1988) and Atame! (Tie Me Up! Tie Me Down!) in 1989, Banderas made his Hollywood debut in the year 1992 with “The Mambo Kings” .

He, however, gained much acclamation for his sensitive but sensational character portrayal as a gay lover of Tom Hanks’ AIDS-infected lawyer in “Philadelphia” (1993). The actor then associated with many other international projects such as the1995 action thriller “Desperado” alongside Salma Hayek, and co-starring in “Evita” opposite Madonna, and the “The Mask of Zorro” (1998).

In few years of his introduction to American film industry, Antonio Banderas established himself as a talented and frontline actor in Hollywood mainstream. He even went to producing and directing a film named “Crazy in Alabama” (1999) starring his wife, Melanie Griffith, albeit it was not that successful.

The other film which brought acknowledgment for him is the Salma Hayek starrer “Frida” (2002) in which Banderas played the role of a Mexican artist. In 2003, Antonio and Salma returned together with “Once Upon a Time in Mexico”.

Coming out from his comfort zone, Antonio’s acting talent and theatre background came into play in animated films like “Shrek2” and “Shrek the Third” where he entertained the children with his voice role for the cat ‘Puss in Boots’. Besides, he starred in many other movies: The Legend of Zorro, Take the Lead, Bordertown, etc.

The Latino star with his Casanova like appeal and charismatic look was chosen as one of the 50 most beautiful people in the world by the People Magazine in 1996. He has also won many awards and recognitions for his acting, including three ALMA awards, Gabi award, along with three Golden Globe nominations, among many others.

In the long history of Spanish cinema, Spain has produced a wealth of exciting and distinctive filmmakers and films. Though the road was been laden with obstacles historically, filmmaking has continued to thrive in Spain. Yet, only 10% to 20% of box office receipts in Spain are generated by domestic films.

The great filmmaker Luis Buñuel been one of the few who has achieved universal recognition, but Spanish cinema has seen some sporadic international success over the years with other film directors like Segundo de Chomón, Florián Rey, Pedro Almodóvar and Alejandro Amenábar.

The first Spanish film exhibition took place in Barcelona in 1895 and became the center of the nation’s film industry and continued to maintain its stronghold on movie production until gradually Madrid took over in leading the Spanish movie production. Today budding actors and actresses move to Barcelona and Madrid in hopes of making their lifelong dream of being in movies come true.

With the end of the Franco era, censorship was greatly loosened. Filmmakers were once again free to make a film in the language of their choice and topic of choice. Thus, a whole new genre of directors began creating films of a controversial nature, attempting to revise the country’s blemished history and challenge traditional ideas of filmmaking.

American and foreign movies also influenced Spanish movies and themes of gender and sexuality began to appear on screen. For cinema-goers outside of Spain, it has often been the sexually-charged and colorful nature of many contemporary Spanish films, which has made them popular world-wide and led directors and stars such as Almodóvar, Banderas and Penélope Cruz to be welcomed by Hollywood.

The Festival de Cine de Sitges, now known as the Festival Internacional de Cinema de Cataluña (International Film Festival of Catalonia), was started in 1967. It is considered one of the best cinematographic contests in Europe and is attended by famous international directors and actors.

Spaniards love to go to the movies and it is still the number one “date night” activity. Most small towns have movie theaters, but many do not. However, with the boom of large shopping malls cropping up, multi-cinemas with hi-fi sound and picture are usually close by. Most American films are dubbed into Spanish and only in major cities or highly tourisy areas will you find theaters with English language movies.

Though Spain may not have a worldwide reputation for making great films, don’t let this fool you. There are numerous fantastic Spanish films currently and from the past that have contributed and changed movie-making history such as “Le charme discret de la bourgeoisie” by Luis Buñuel and “Tie Me Up! Tie Me Down” by Pedro Almodóvar.

The Spanish film industry has always been one of the world’s most successful despite the Franco years when individualism and creativity was somewhat stifled. At the moment it is on a real roll producing box office acclaimed films that have broken into the English language market as well as the huge Spanish speaking market. However having said that it is estimated that only 10-20% of box office receipts in Spain are from domestic films; the public seem to prefer Hollywood block busters!

The cinema in Spain is much cheaper than in the UK and for young people or families it is still a reasonable option for an evening’s entertainment. There is even a weekly “dia de espectadores” at most cinemas when the price is reduced, often down to 4 euros a ticket. Money left over for a meal after! Another wonderful Spanish summer custom is the cines de verano. These are outdoor evening cinemas often held quite late at night so you can relax in the slightly cooler evening air whilst enjoying a film. They often have bars too!

Spanish cinema started in Barcelona which remained the centre of the film industry for decades. Some of the earliest films you may have seen on the television date from the Franco years and are classic tales of children in difficult circumstances such as “Marcelino, Pan y Vino” and all the Joselito and Marisol films.

By the sixties thing were a little less cutesy and directors like Carlos Saura produced some great films. In the eighties film really took off in the more liberal environment and today comedies , melodramas and black humour abound ,with directors such as Pedro Almodóvar, Bigas Luna and Alejandro Amenabar´s works accounting for most of the industries revenue.

Bigas Luna´s classic “Jamon Jamon” was released in 1991 and starred Penelope Cruz then aged 16. The film features whorehouses, violence and is really rather “dark”. One of Amenabar´s films “Mar Adentro” or The Sea Inside won the Golden Globe for best foreign film in 2004 and the Oscar for best foreign-language film in 2005. It’s a bit of a dark film too, based on the right to take your own life but a very good introduction to modern Spanish film.

Pedro Almodovar is a favourite Spanish character always popping up in Sunday supplements and his output has been spectacular. Try Todo Sobre mi Madre from 1999 which won an Oscar for Best Foreign Film or Hable Con Ella from 2001 which won an Oscar for Best Director. His latest film Volver came out last year and was nominated for a golden Globe.

Now for the actors! Penelope Cruz, who has made herself popular all over the world with her perfect Spanish beauty and talent, and who started her film career at a very tender age of 16, has matured into a fine actress. Commencing in 1991 in “El Laberinto Griego” she soon gained a following in Spain. By 1999 her talent hit a wider audience with “Todo Sobre Mi Madre” directed by Pedro Almodovar and by 2001 she was starring in blockbusters such as Captain Correlli´s Mandolin. Recent films include Volver and Bandidos in 2006. Ms Cruz is only just in her thirties so watch this space!

Antonio Banderas has also made a name for himself outside of Spain with films such as the House of Spirits (1993), Interview with Vampires (1994), Evita (1996), Shrek 2(2004), and The Legend of Zorro (2004). Banderas is a local lad and also dabbles in business-one of his successful ventures being a vineyard in the Casares area.

Javier Bardem started out in 1991 in Jamon Jamon and has won a string of awards since then. “Dias Contado” in 94 and Before Night Falls in 2000 were particularly memorable. Also watch out for Jordi Molla and Eduardo Noriega, both of whom have been called the new Banderas!